Bruno Barnhart is a Camaldolese-Benedictine monk of New Camaldoli Hermitage in Big Sur, California, and was one of my primary teachers during my own monastic formation. He is the author of The Good Wine: Reading John from the Center, Second Simplicity: The Inner Shape of Christianity, The Future of Wisdom: Toward a Rebirth of Sapiential Christianity, and co-editor of Purity of Heart and Contemplation: A Monastic Dialogue Between Christian and Asian Traditions.
What might happen if a monastery, whose Oblates (nonresident lay associate members) outnumber the monks within by a 50 to 1 ratio, embarked upon an experiment in renewal that altered the very form and function of what conventionally comprises a monastic community?
This interview is actually the tail end of a much longer conversation, wherein we had discussed such topics as wisdom, evolution, poetry, and especially the exhilarating, irrepressible, revolutionary impulse at the heart of Christianity. Our primary guides were the restless, Christ-possessed, future-oriented Apostle Paul, and the 20th century Jesuit scientist, theologian, and philosopher, Pierre Teilhard de Chardin, especially in their understanding of the Cosmic Christ. Also relevant to the interview, we spoke of literary figures such as Ralph Waldo Emerson and his distinction between the Party of Memory and the Party of Hope (applied by Emerson particularly to political parties but ultimately seen as forces in tension underlying all human affairs) and Owen Barfield’s notion that the Christ event fundamentally shifted the trajectory of human history from a position of receptivity and learning to one of creativity or co-creativity with God. What emerges is a hope-filled vision of a divinely-charged human creativity flowing from the life, death, and resurrection of Jesus, with a preference for the innovative and experimental.
At the point at which this interview actually begins, I bring the conversation down to earth by asking, in essence: what does this have to do with monasticism? That is, how would this dynamic, creative, future-oriented perspective change a monastic culture that tends to focus its energies on conserving and recapitulating the past? From there, we begin to sketch what such a new monasticism might look like in the present day; the role existing monasteries would play in this transformation; and how this might actually take shape in a monastery like Bruno’s own. Since New Camaldoli Hermitage’s situation—of a flourishing life outside the cloister, yet seeming diminishing life within—is by no means unique, the ideas expressed here have a potentially broad applicability for a new monasticism and new monasteries.
(For a critical response to this interview, see Paula Huston)
Into/Outro music “He Prabhu” by Fr. Cyprian Consiglio, OSB Cam., and John Pennington, from Compassionate and Wise.